It was around 2009, I was an editor at Quercus, and a young adult author Cat Clarke was publishing her debut novel with us. We were still 6 months from publication, and my inbox was getting what I thought was a series of spam email.
Entangled by Cat Clarke
Turns out I was getting emails from bloggers who wanted a copy of the proofs (review copies).These bloggers were from all over the world: Japan, China, Brazil, Greece, France, Spain. Places we might sell in, but certainly hadn't publicised in yet. It was still another 6 MONTHS till the book was going to be published!
With this pre-launch buzz, Entangled, Cat's first book, went on to sell a healthy number of copies. I think it sold around 20k in those first months but my memory is hazy. I just remember that the sales director was happy, (and it was a rare day that she was happy with the editorial team). For a small publisher and a debut author, in the UK, we were thrilled.
Cat Clarke, who has since written many books, essentially taught me my first lesson in marketing: build a tribe.
NUMBER 1 BUILD A TRIBE
#Social Media, #Content Marketing
Credit: William White, Unsplash
The moment Cat decided to write, she started a blog called Cat Writes YA, and engaged with reviewers, fans and bloggers in that niche.
Those requests I was getting? It was a result of her efforts to build a community.
Her approach, simple as it was, is roughly the advice that gurus like Gary Vaynerchuk and Seth Godin, give out today.
Find and engage with your community.
But what does this mean for the 2017 social media crazy world?
Well, whether it's Sci-Fi or Chick lit, or Children's, find the reviewers and fans of these genres and talk to them. There are lots of platforms, and you don't have to conquer them all, not just yet. Find 1-2 that you're comfortable with and where your audience might be (Facebook, Twitter, Snapchat, Instagram, Tumblr).
Now you’ve probably heard this sort of advice before and I’m anticipating objections here, and here are my answers:
Objection 1: I know I 'should be' online but I hate the idea/ am doing it already & bored by the process or I’m frustrated by the small results.
My answer to you is to just keep at it steadily, consistently. Use the Tomato Timer and just spend 25 min a day to post, or chat to someone in your world. Slowly but surely you will gather a community. Your fanbase won't be built overnight, but it won't be built by inaction. I’ve watched aspiring authors like Candy Gourley and Nikesh Shukla start with small platforms, and build momentum as they published books, and later won awards.
Objection 2: I have nothing to say! What can I contribute online?
There is no prescription for success online, but there are many options.
- Review your favourite books in a blog
- Document the frustrations and joys of being a writer
- Interview your favourite writers
- Create inspiration photo posts for other writers
- Critique your favourite and least favourite covers on pinterest
- Post the music tracks you listen to every week when you write
Here are some real-life examples of what authors have done to stay relevant online.
Choose what suits your personality and try it consistently for at least 6 months. Whatever tricks you need to help you enjoy the process (music, chocolate, coffee) bring 'em out. Get your 25 min a day in.
Objection 3: I don't have enough time
I hear you. Social media is a black hole for time.
So let's get more efficient it. And also, don't worry about your twitter numbers, focus on your engagement. As I said earlier, allocate time every day to respond. I'm a huge fan of the Pomodoro Technique (click for a link to an online timer) to keep you using time well. In the end, it's the quality of engagement rather than aimlessly scrolling through newsfeeds that matter. Don’t fall into the trap of using social media vacantly because you don’t want to write! Limit your time every day, but consistently engage. That’s what I tell my authors, and it’s what I’m starting to do myself, finally.
NUMBER 2 START EARLY & FOCUS -
Credit: Pablo Garcia Saldana
Over the years, working with authors and startups I've learned the importance of starting now.
Starting before anyone else shows up, starting before you have approval.
“The best time to plant a tree was 20 years ago. The second best time is now.” – Chinese Proverb
Authors and entrepreneurs have also taught me that the best time saver is to focus on what matters.
Joanna Penn and Brian Cormack talk about the Long Term Launch, which is about creating a series of ‘windows’ of promotion, a better, smarter way to think of promoting your book. So, for example, you might set aside two-three weeks around your book launch and within this period you would concentrate all your interviews and posts.
You could then repeat this over a summer promotion and a Christmas promotion period etc. SO it’s not all year round, and it’s not a one hit attempt either.
When should you start thinking about strategy? I don’t think it’s ever too early to start - but if you haven’t finished writing your book yet, you shouldn’t focus on marketing and publicity. Sure, start formulating a rough plan, and start to tap into a community (a blog, social media platforms) you guard your writing time at the same time.
4-6 months before publication, get in contact with people in your community and involve them - perhaps on the book covers, ask them if they'll be an early reviewer. Plan a series of guest posts, podcasts, interviews and articles around your subject area (I know this is a big ask) so that in your 2 weeks window of publicity, you are unavoidable.
NUMBER 3 BECOME UNAVOIDABLE IN SHORT BURSTS
Credit: Mike Enerio, Unsplash
Your aim during your publicity windows is to use the momentum of all the goodwill you’ve built so far (you started early remember!) to let your audience know your message, your personal story.
For non-fiction, it could be: How to get the body you want in 4 hours
For fiction, it might be: A Thriller better than Girl on a Train
The goal? To have people talking about you, recommending your book.
Which means you need lots of great, honest reviews, and a series of interviews, articles with you, the author.
Now, I don’t have a perfect one-size-fits-all plan for you, everyone’s plan is different, but I spoke to my friend, who used to be the Marketing Director at Random House, and here is a rough guideline to how you might structure your launch plan (during the windows of promotion) although you have to tweak based on what you’re trying to achieve.
60% reaching out to bloggers & press
30% offline meeting potential readers (e.g.bloggers at conferences, writers at festivals, children in schools, bookshop signings)
10% Advertising spend
What I've seen work? Tim Ferriss' approach to being 'unavoidable' in his publicity windows. Philip Ardagh the UK children's writer, relentlessly doing events at schools, literary festivals. Gary Vaynerchuk's documenting of his journey led to phenomenal sales of his book.
We're in an era of change when old media is being overtaken by new channels Medium, Instagram, Snapchat...
So cast your net wide during this period, be unavoidable.
To do this you might be reaching out 4-6 months in advance. Even as far as a year in advance you might attend conferences and spread the word.
If you can stretch to it, set a budget for Facebook Ads to help boost your profile during your publicity window, but again, you have to experiment with this and see if it delivers you the right results.
So to recap…
- Build a Tribe - tap into the community who will be your early supporters
- Start this process earlier than you think but be strict with your time. Don’t use it as an excuse to procrastinate
- Plan your long-term launch in good time so that when you do need to promote, you can be unavoidable in short burst
For inspiration on building Tribes & social media, I suggest you watch wider Seth’s Talk on Tribes (at 10min 35 he mentions authors but I recommend you watch the whole video) and Gary Vee’s advice on promoting a book on social media.
Frankly, I’m still wrapping my head about all the options in self-publishing. When someone asked me which self-publishing platform I’d recommend, I realised I really needed to do some digging. Amazon, I’d heard of before, of course, but what about the rest? What about Gumroad, or crowdfunding or Smashwords? I hadn’t a scoobie so I…Read More
My story starts with J.K Rowling… Literary Scouts know a lot, but they’re not mind readers. It was my first week as a Scout at what was then Anne Louise Fisher’s agency (now Eccles Fisher), and the office was buzzing. Constant phone calls. It was the buzz of publishers from around the world; the news…Read More
This post was written for Writer Unboxed Dial back a good few years, and I had just put the phone down with an agent. I had acquired the UK rights for Never Fall Down, by Patricia McCormick, a powerful, hard-hitting book about a boy escaping the Khmer Rouge in Cambodia. I know, cheery stuff. But to…Read More
It was around 2009, I was an editor at Quercus, and a young adult author Cat Clarke was publishing her debut novel with us. We were still 6 months from publication, and my inbox was getting what I thought was a series of spam email. Entangled by Cat Clarke Turns out I was getting emails…Read More
Interview with an editor: Why I turned down books I loved and what to do if you are rejected by a Publisher
A first in the series of Publishing Uncovered interviews. Our first interview is with Kirsten Armstrong, a former editor at Penguin Random House Kirsten worked as an editor for 7 years, including at David Fickling Books and Penguin Random House. After editing hundreds of children’s fiction books, she now works as Creative Manager at Unicef…Read More
‘Learn from the mistakes of others. You can never live long enough to make them all yourself.’ Groucho Marx Tim Ferriss, Ramit Sethi, Gary Vaynerchuk, James Altucher and Seth Godin are Titans of Publishing. In my research about bestselling authors, their names kept coming up. Who are they? And they’re all entrepreneurs-turned-authors. They write…Read More
I was recently invited to a party by a good friend of mine. An entrepreneur. I arrived late and stood at the edge of the room. I’ve worked with startups in my previous jobs, and I’ve been to a gazillion entrepreneur events, they sort of blend into a blur of bland pitches and egos. But…Read More